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The Sanctity of Hate

Audiobook
1 of 1 copy available
1 of 1 copy available

The summer of 1276 at Tyndal Priory is peaceful—until Kenelm's corpse is found floating in the millpond. When Brother Thomas concludes that the murder occurred on priory grounds, Prioress Eleanor and Crowner Ralf swiftly agree to help each other solve the crime.

The murder victim, a newcomer, was disliked in Tyndal village, and no one there wants one of their own hanged for the deed. Fingers quickly point to a Jewish family, refugees under the relocation provisions of King Edward's Statute of Jewry. As riots loom and threats mount against the family, Eleanor and Ralf have little time before popular opinion rules the murder solved.

Did Jacob ben Asser kill the man, or was it Gwydo, a new lay brother with an unknown past? These questions are difficult enough, but when Gytha, the prioress' maid, joins the suspect list, the inquiry takes an even more troubling turn.

Murder investigations are always grim, but this one grows as ominous as a North Sea storm. Once again, Prioress Eleanor jousts with the Prince of Darkness for the sake of justice, but this time even she wonders if unmasking the killer is a mission she wants to undertake.

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    • Publisher's Weekly

      Starred review from October 8, 2012
      The plight of English Jewry under Edward I propels Royal’s ninth medieval mystery (after 2011’s Killing Season), the best yet in a consistently strong series. As the author explains in an afterword, the king promulgated a series of anti-Semitic proclamations once the Jewish community no longer served Edward’s “financial requirements.” As of October 1275, in a move anticipating the Nazis, Jews were required to wear yellow badges. Against this backdrop, the death of Kenelm, a man hired to help protect some traveling Jews, one of whom, Jacob ben Asser, had argued with him, leads to suspicions that the Jews are responsible. But the local coroner, Crowner Ralf, believes the solution to Kenelm’s murder is less straightforward, since the order of, and reason for, the victim’s fatal injuries aren’t clear-cut. Period details fit unobtrusively with the action, and the pacing makes this a one- or two-sitting read at most.

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